Adorno, Theodor Wiesengrund

(b. Sept. 11, 1903, Frankfurt am Main, Ger.--d. Aug. 6, 1969, Visp, Switz.), German

philosopher who also wrote on sociology, psychology, and musicology.

Adorno obtained a degree in philosophy from Johann Wolfgang Goethe University in

Frankfurt in 1924. His early writings, which emphasize aesthetic development as important

to historical evolution, reflect the influence of Walter Benjamin's application of Marxism to

cultural criticism. After teaching two years at the University of Frankfurt, Adorno

immigrated to England in 1934 to escape the Nazi persecution of the Jews. He taught at the

University of Oxford for three years and then went to the United States (1938), where he

worked at Princeton (1938-41) and then was codirector of the Research Project on Social

Discrimination at the University of California, Berkeley (1941-48). Adorno and his

colleague Max Horkheimer returned to the University of Frankfurt in 1949. There they

rebuilt the Institute for Social Research and revived the Frankfurt school of critical theory,

which contributed to the German intellectual revival after World War II.

One of Adorno's themes was civilization's tendency to self-destruction, as evinced by

Fascism. In their widely influential book Dialektik der Aufklärung (1947; Dialectic of

Enlightenment), Adorno and Horkheimer located this impulse in the concept of reason

itself, which the Enlightenment and modern scientific thought had transformed into an

irrational force that had come to dominate not only nature but humanity itself. The

rationalization of human society had ultimately led to Fascism and other totalitarian regimes

that represented a complete negation of human freedom. Adorno concluded that rationalism

offers little hope for human emancipation, which might come instead from art and the

prospects it offers for preserving individual autonomy and happiness. Adorno's other major

publications are Philosophie der neuen Musik (1949; Philosophy of Modern Music), The

Authoritarian Personality (1950, with others), Negative Dialektik (1966; Negative

Dialectics), and Ästhetische Theorie (1970; "Aesthetic Theory").